At the foot of Pantry For The World’s editorial page, I wrote ‘Some days I listen to but one song, once. That song is “Stumble”…’ That song, as regular readers of Backed with will know, is by Emily, and is available for download here. The words led into the next page, which reported on ‘Doing it for the Kids’, the Creation all dayer at the Town and Country Club (as the Forum in Kentish Town was then known).
‘That day, six minutes stood apart from the other six hours…’ This hyperbole is a bit harsh on Felt and the Jasmine Minks, who also played that day, and on Momus, whose thing was in no way comparable with anyone else’s. But I was right about Emily, and I’m glad I captured my excitement in print around the time they were taking off.
I was heading for a fall, pooh-poohing high pitch bleat-squealing sax. It wasn’t long before I was listening to Coltrane, Coleman and, in Archie Shepp, the high priest of high pitch bleat-squealing sax.
With surprisingly neat sequencing, the ‘Doing it for the kids’ piece was followed by one called ‘Doing it for God’, which compared and contrasted Momus and McCarthy, about whose second album, The enraged will inherit the earth, I was incorrigibly harsh. There’s just no pleasing some people.
My innovative design feature for Pantry For The World was to insert a portrait A5 page between the A4-sized pages 2 and 3, with the same layout at the other end of the magazine. The two photos of Emily were positioned one above the other so as to create a flick-book effect if you quickly raised and lowered the A5 page: see Emily play!